Harlem Renaissance Women: A'Leila Walker (Joy Goddess)

Salonnaire of the Harlem Renaissance, Harlem's Joy Goddess  helped define the Harlem Renaissance. From the time she moved to Harlem in 1913, an invitation to her beautifully furnished townhouse on 136th Street near Lenox Avenue (now Malcolm X Boulevard)  for dinners, dances and recitals seldom was declined. By the time she converted a floor of the house into the legendary Dark Tower in October 1927, she’d been hosting salon-like soirees for more than a decade.

The invitation A’Lelia Walker sent to hundreds of friends when she converted a floor of her 136th Street townhouse into a cultural salon called The Dark Tower in October 1927. (Madam Walker Family Archives)

Through the years, her guests included James Reese Europe, Florence Mills, J. Rosamond Johnson, Bert Williams, Carl Van Vechten, W. E. B. DuBois, James Weldon Johnson, Alberta Hunter, Nora Holt, Lester Walton, Edna Lewis Thomas, Bernia Austin, Paul Poiret, Clarence Darrow and assorted European royalty. A younger generation of writers and artists from Langston Hughes, Zora Neale Hurston and Dorothy West to Countee Cullen, Aaron Douglas and Richard Bruce Nugent also were welcome.Alelia Walker   A’Lelia Walker turns out to be much more a patron of the arts than even I knew when I wrote On Her Own Ground: The Life and Times of Madam C. J. Walker, my biography of her mother. The conventional wisdom is that the Walker philanthropy ended when Madam Walker died. The truth is A’Lelia Walker contributed to many causes and institutions before and after her mother’s death. She spearheaded a campaign for an ambulance for black soldiers during World War I, donated to the Silent Protest Parade against lynching in 1917 and was the leading fundraiser for the Utopia Neighborhood Children’s Center, a building which later housed the 1963 March on Washington planning offices.

When A’Lelia Walker hosted Liberian President C. D. B. King for a Fourth of July weekend at Villa Lewaro, she hired her friend, Ford Dabney, and his Syncopated Orchestra to provide the music.  She regularly hired musicians, photographers, modistes, architects and caterers. She invited theater groups to rehearse in her home and a filmmaker to shoot his movies at her estate at no charge. At various times she let a writer, an actress and a singer stay in one of the apartments in her townhouse rent free. Ford Dabney, whose orchestra performed nightly at Florenz Ziegfeld’s Rooftop Garden during the 1910s, was among the many musicians who played for her parties. She commissioned photographers like R. E. Mercer, James Latimer Allen and James Van Der Zee. And of course as president of the Madam C. J. Walker Manufacturing Company, she was a regular advertiser in black newspapers throughout the country.

During the early 1920s she spent six months abroad. In Paris she stayed in a suite at the Hotel Carlton on the Champs-Elysees near the Arc de Triomphe and was invited to a private showing at Cartier. She attended the opera at Covent Garden in London, witnessed the coronation of the Pope in Rome, toured the pyramids in Egypt on camelback and had an audience with Empress Zauditu in Addis Ababa.  C

Check out more information of A'Leila Walker at her grand daughters website (Alelila Bundles) Quite fascinating.  I cannot wait to read the book.